
All of a sudden, my work was seeming ominous. Most of those questions never crossed my mind. The character is the product of trying to come up with some interesting designs made with simple graphic shapes. And when you're dealing with being graphic, that usually means black, white and red; the simplest, most graphic palette there is.
How the piece came together for the show was really pretty much a fluke. Saxton had seen the goonhead and suggested that I should put it in the show. And suggested that I do one with a bunch of rows of goonheads and make one of them red. It sounded like an easy piece to do, so I went about setting up the art on my computer. At the moment, I can't recall why I chose to make it a horizontal piece as opposed to vertical, but I did. I knew the final print was going to be 13 by 19 inches (that's the size of paper my printer takes and I've got no idea about the numerology behind it), so I began making rows of goonheads and scaled them up and down to see what looked good. 2 rows were too few and the goonheads were getting too small with 4 rows so I settled on 3. I never bothered to count how many were in the rows. As far as coloring one red, I did the same thing, I did what optically looked good to me. All coincidence? Forces from another dimension?
And then there was discussion about frogs and images of frogs giving babies and toddlers mental problems and making them insane.
1 comment:
But what do the horns on the goonheads MEAN? I hate answering questions like that. Isn't "I did that because it's visually pleasing" a legitimate answer?
Post a Comment